Famous Like Me > Writer > N > Ogden Nash
Profile of Ogden Nash
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Name: |
Ogden Nash |
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Date of Birth: |
19th August 1902 |
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Place of Birth: |
Rye, New York, USA |
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Writer |
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From Wikipedia, the free Encyclopedia Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet best known for writing pithy, funny, light verse.
Biography
Nash was born in Rye, New York. His father owned and operated an import-export company, and because of business obligations, the family relocated often.
In 1920, Nash entered Harvard University, only to drop out a year later. He worked his way through a series of jobs, eventually landing a position as an editor at Doubleday publishing house, where he first began to write poetry.
In 1931 he published his first collection of poems, Hard Lines, earning him national recognition. Some of his poems reflected an anti-establishment feeling. For example, one verse, entitled Common Sense, asks:
- Why did the lord give us agility,
- If not to evade responsibility?
When Nash wasn’t writing poems, he made guest appearances on comedy and radio shows and toured the United States and England, giving lectures at colleges and universities.
Nash was regarded respectfully by the literary establishment, and his poems were frequently anthologized even in serious collections such as Selden Rodman's 1946 A New Anthology of Modern Poetry.
Nash was the lyricist for the Broadway musical One Touch of Venus, collaborating with librettist S. J. Perelman and composer Kurt Weill. The show included the notable song "Speak Low (When You Speak Love)."
Nash died in 1971 and is interred in North Hampton, New Hampshire.
Poetry style
Nash was best known for surprising, pun-like rhymes, as in his retort to Dorothy Parker's dictum, Men seldom make passes/At girls who wear glasses:
- A girl who is bespectacled
- She may not get her nectackled
- But safety pins and bassinets
- Await the girl who fassinets.
He often wrote in a signature verse form which creates a comic effect with pairs of lines that rhyme, but that are of dissimilar length and irregular meter. His poem Portrait of the Artist as a Prematurely Old Man uses this device to good effect. He opens by noting
- It is common knowledge to every schoolboy and even every Bachelor of Arts,
- That all sin is divided into two parts.
- One kind of sin is called a sin of commission, and that is very important,
- And it is what you are doing when you are doing something you ortant...
He develops this at some length, expounding on the superiority of sins of commission, because
- You didn't get a wicked forbidden thrill
- Every time you let a policy lapse or forget to pay a bill;
- You didn't slap the lads in the tavern on the back and loudly cry Whee,
- Let's all fail to write just one more letter before we go home, and this round of unwritten letters is on me.
- No, you never get any fun
- Out of things you haven't done...
This verse form is reminiscent of Thomas Hood's 1826 poem, "Our Village."
Quotes
Some of Nash's verses have almost become proverbial:
- The Camel has a single hump,
- The dromedary two,
- Or is it just the other way,
- I'm never sure -- are you?
- Candy is dandy;
- But liquor is quicker
- I think that I shall never see
- A billboard lovely as a tree;
- Indeed, unless the billboards fall
- I'll never see a tree at all
- (This a parody of the poem Trees by Joyce Kilmer)
- Philo Vance
- Needs a kick in the pants
Once when interviewed on his arrival in San Francisco, he said:
- "May I boil in oil
- And fry in Crisco
- "If I ever call
- "San Francisco 'Frisco'"
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