Profile of Karl Kraus on Famous Like Me

Karl Kraus (April 28, 1874 - June 12, 1936) was an eminent Austrian writer and journalist, known as a satirist, essayist, aphorist, playwright, and poet. He is generally considered one of the foremost German-language satirists of the 20th century, especially known for his witty criticism of the press, German culture, and German politics.

Early life

Kraus was born into a wealthy Jewish family of Jacob Kraus, a papermaker, and his wife Ernestine, née Kantor, in Jičín, Bohemia (now the Czech Republic). The family moved to Vienna in 1877. Kraus enrolled as a law student at the University of Vienna. Beginning in April of the same year he began contributing to the paper Wiener Literaturzeitung. In 1894 he changed his field of studies to philosophy and German literature. He discontinued his studies in 1896.

Writing

In 1896 he left university without a diploma to begin work as an actor, stage-director and performer, joining the Jung Wien (Young Vienna) group, which included Peter Altenberg, Leopold Andrian, Hermann Bahr, Richard Beer-Hofmann, Felix Dörmann, Hugo von Hofmannsthal, and Felix Salten. In 1897, however, Kraus broke from this group with a biting satire Die demolierte Literatur [Demolished Literature], and was named Vienna correspondent for the newspaper Breslauer Zeitung. One year later, as an uncompromising advocate of Jewish assimilation, he attacked the Zionist Theodor Herzl with his polemic Eine Krone für Zion [A Crown for Zion] (1898).

On April 1, 1899, he renounced Judaism and in the same year founded his own newspaper, Die Fackel ("The Torch"), which he continued to direct, publish, and write until his death, and from which he launched his attacks on hypocrisy, psychoanalysis, corruption of the Habsburg empire, nationalism of the pan-German movement, laissez-faire economic policies, and numerous other bêtes noires.

While at the beginning, the Fackel was similar to journals like the magazine Weltbühne, it became more and more a magazine that was priviledged in editorial independence that Kraus could provided by his funding. The Fackel printed what Kraus wanted to be printed. In its first decade, contributors included many well-known writers and artists such as Peter Altenberg, Richard Dehmel, Egon Friedell, Oskar Kokoschka, Else Lasker-Schüler, Adolf Loos, Heinrich Mann, Arnold Schönberg, August Strindberg, Georg Trakl, Frank Wedekind, Franz Werfel, Houston Stewart Chamberlain and Oscar Wilde. After 1911, however, Kraus was usually the sole author. Kraus' work was published nearly exclusively in the Fackel.

Authors who were supported by Kraus include Peter Altenberg, Else Lasker-Schüler, and Georg Trakl.

The Fackel targeted corruption, journalists and brutish behaviour. Notable enemies were Maximilian Harden (in the mud of the Harden-Eulenburg affair), Moriz Benedikt (owner of the newspaper Neue Freie Presse), Alfred Kerr, Hermann Bahr, Imre Bekessy and Johannes Schober.

In addition to his writings, Kraus gave numerous highly infuential public readings during his career - between 1892 and 1936 he put on approximately 700 one-man performances, reading from the dramas of Bertolt Brecht, Gerhart Hauptmann, Johann Nestroy, Goethe, and Shakespeare, and also performing Offenbach's operettas, accompanied by piano and singing all the roles himself. Elias Canetti, e.g. who regularly attended Kraus' lectures, titled his autobiography "Die Fackel im Ohr" (free translation to English: listening to the Fackel) refers to the magazine and its author.

Kraus never married, but from 1913 until his death, he had a close relationship with the Baroness Sidonie Nádherný von Borutin (1885-1950). In 1911 he was baptized as a Catholic, but in 1923 he left the Catholic Church.

Selected works

• Die demolierte Literatur [Demolished Literature] (1897)
• Eine Krone für Zion" [A Crown for Zion] (1898)
• Sittlichkeit und Kriminalität [Morality and Crimical Justice] (1908)
• Sprüche und Widersprüche [Sayings and Contradictions] (1909)
• Die chinesische Mauer (1910)
• Pro domo et mundo [For Home and for the World] (1912)
• Nestroy und die Nachtwelt (1913)
• Worte in Versen (1916-30)
• Die letzten Tage der Menschheit (1918)
• Weltgericht (1919)
• Nachts [At Night] (1919)
• Untergang der Welt durch schwarze Magie [The End of the World Through Black Magic](1922)
• Literatur (1921)
• Traumstück (1922)
• Die letzten Tage der Menschheit: Tragödie in fünf Akten mit Vorspiel und Epilog [The Last Days of Mankind: Tragedy in Five Acts with Preamble and Epilogue] (1922)
• Wolkenkuckucksheim (1923)
• Traumtheater (1924)
• Die Unüberwindlichen (1927)
• Epigramme (1927)
• Die Unüberwindlichen (1928)
• Literatur und Lüge (1929)
• Shakespeares Sonette (1933)
• Die Sprache (posthumous, 1937)
• Die dritte Walpurgisnacht [The Third Night of St. Walpurgis] (posthumous, 1952)

Some work has been re-issued in recent years:

• Die letzten Tage der Menschheit, Bühnenfassung des Autors, 1992 Suhrkamp, ISBN 3-518-22091-8
• Die Sprache, Suhrkamp, ISBN 3-518-37817-1
• Die chinesische Mauer, mit acht Illustrationen von Oskar Kokoschka, 1999, Insel, ISBN 3-458-19199-2
• Aphorismen. Sprüche und Widersprüche. Pro domo et mundo. Nachts, 1986, Suhrkamp, ISBN 3-518-37818-X
• Sittlichkeit und Krimininalität, 1987, Suhrkamp, ISBN 3-518-37811-2
• Dramen. Literatur, Traumstück, Die unüberwindlichen u.a., 1989, Suhrkamp, ISBN 3-518-37821-X
• Literatur und Lüge, 1999, Suhrkamp, ISBN 3-518-37813-9
• Shakespeares Sonette, Nachdichtung, 1977, Diogenes, ISBN 3-257-20381-0
• Theater der Dichtung mit Bearbeitungen von Shakespeare-Dramen, Suhrkamp 1994, ISBN 3-518-37825-2
• Hüben und Drüben, 1993, Suhrkamp, ISBN 3-518-37828-7
• Die Stunde des Gerichts, 1992, Suhrkamp, ISBN 3-518-37827-9
• Untergang der Welt durch schwarze Magie, 1989, Suhrkamp, ISBN 3-518-37814-7
• Brot und Lüge, 1991, Suhrkamp, ISBN 3-518-37826-0
• Die Katastrophe der Phrasen, 1994, Suhrkamp, ISBN 3-518-37829-5

This content from Wikipedia is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Karl Kraus