Famous Like Me > Composer > K > Tikhon Khrennikov
Profile of Tikhon Khrennikov
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| Name: |
Tikhon Khrennikov |
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| Date of Birth: |
10th June 1913 |
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| Place of Birth: |
Elets |
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| Profession: |
Composer |
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From Wikipedia, the free Encyclopedia
Tikhon Nikolayevich Khrennikov (Тихон Ðиколаевич Хренников, born June 10 (May 28, Old Style), 1913 in Yelets, Orlov District) was a Russian and Soviet composer, but was better known in his lifetime for his political activities.
He wrote three symphonies, three piano concertos, two violin concertos, two cello concertos, operas, operettas, ballets, chamber music, incidental music and film music.
Khrennikov started learning to play piano as a child. As a teen he moved to Moscow, where he studied composition at Gnesin Music College under Mikhail Gnesin and Yefraim Gelman from 1929 to 1932, then he continued under Litinsky and Vissarion Shebalin at the Moscow Conservatory from 1932 to1936, also studying piano under Heinrich Neuhaus. He wrote and played his Piano Concerto No. 1 during his student years, and his Symphony No. 1 was his graduation piece.
In 1948, Andrei Zhdanov appointed Khrennikov to Secretary of the Union of Soviet Composers, and it was in this office for which he is most remembered, negatively, in the biographies of Prokofiev and Shostakovich, composers whom he criticized for "formalism" on a Soviet composers' convention in 1948. However, he is credited by some for protecting and helping some Soviet composers thanks to his position (and even he advocated to give Prokofiev and Shostakovich Stalin Award in 1950). Through sham elections, Khrennikov remained Secretary until the collapse of the Soviet Union.
According Shostakovich's memoirs (which are dogged by accusations of fraud), Khrennikov once soiled his own trousers in Stalin's presence, an honor he shared with film-maker Leo Arnshtam.
Khrennikov returned to the concert stage in the 1960s, playing his Piano Concerti. He had a rapport with violinist Leonid Kogan and conductor Mstislav Rostropovich, and they recorded one of his Violin Concertos. In the 1980s Khrennikov resumed composition with renewed vigor. His Symphony No. 3 used serial procedures, which he had denounced in earlier years.
His 1994 memoirs (ISBN 5714005635) are rumored to contain formerly secret Soviet documents.
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