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Famous Like Me > Writer > D > Alphonse Daudet

Profile of Alphonse Daudet on Famous Like Me

Name: Alphonse Daudet  
Also Know As:
Date of Birth: 13th May 1840
Place of Birth: Nîmes, France
Profession: Writer
From Wikipedia, the free Encyclopedia

Alphonse Daudet (May 13, 1840 - December 17, 1897) was a French novelist. He was the father of Léon Daudet.

Alphonse Daudet

Early life

Alphonse Daudet was born in Nîmes, Provence, France. His family, on both sides, belonged to the bourgeoisie. The father, Vincent Daudet, was a silk manufacturer - a man dogged through life by misfortune and failure. Alphonse, amid much truancy, had but a depressing boyhood. In 1856 he left Lyon, where his schooldays had been mainly spent, and began life as a schoolteacher at Alès, Gard, in the south of France. The position proved to be intolerable. As Dickens declared that all through his prosperous career he was haunted in dreams by the miseries of his apprenticeship to the blacking business, so Daudet says that for months after leaving Alès he would wake with horror thinking he was still among his unruly pupils.

On November 1, 1857 he abandoned teaching, and took refuge with his brother Ernest, only some three years his senior, who was trying, "and thereto soberly," to make a living as a journalist in Paris. Alphonse betook himself to his pen likewise, wrote poems, shortly collected into a small volume Les Amoureuses (1858), which met with a fair reception, obtained employment on the Figaro, then under Cartier de Villemessant's energetic editorship, wrote two or three plays, and began to be recognized, among those interested in literature, as possessing individuality and promise. Morny, Napoleon III's all-powerful minister, appointed him to be one of his secretaries, a post which he held till Morny's death in 1865, and showed him no small kindness. He had put his foot on the road to fortune.

Literary career

Daudet's Mill

In 1866, Daudet's Lettres de mon moulin, written in Clamart, near Paris, and alluding to a windmill in Fontvieille, Provence, won the attention of many readers. The first of his longer books, Le petit chose (1868), did not, however, produce any very popular sensation. It is, in the main, the story of his own earlier years told with much grace and pathos. The year 1872 brought the famous Aventures prodigieuses de Tartarin de Tarascon, and the three-act play L'Arlésienne. But Fromont jeune et Risler aîné (1874) at once took the world by storm. It struck a note, not new certainly in English literature, but comparatively new in French. Here was a writer who possessed the gift of laughter and tears, a writer not only sensible to pathos and sorrow, but also to moral beauty. He could create too. His characters were real and also typical; the rates, the men who in life's battle had flashed in the pan, were touched with a master hand. The book was alive. It gave the illusion of a real world.

Jack, the story of an illegitimate child, a martyr to his mother's selfishness, which followed in 1876, served only to deepen the same impression. Henceforward his career was that of a very successful man of letters, publishing novel on novel, Le Nabab (1877), Les Rois en exil (1879), Numa Roumestan (1881), Sapho (1884), L'Immortel (1888), and writing for the stage at frequent intervals, giving to the world his reminiscences in Trente ans de Paris (1887), and Souvenirs d'un homme de lettres (1888). These, with the three Tartarins, Tartarin de Tarascon, Tartarin sur les Alpes, Port-Tarascon, and the admirable short stories, written for the most part before he had acquired fame and fortune, constitute his life work.

Though Daudet defended himself from the charge of imitating Dickens, it is difficult altogether to believe that so many similarities of spirit and manner were quite unsought. What, however, was purely his own was his style. It is a style that may rightly be called "impressionist," full of light and colour, not descriptive after the old fashion, but flashing its intended effect by a masterly juxtaposition of words that are like pigments. Nor does it convey, like the style of the Goncourts, for example, a constant feeling of effort. It is full of felicity and charm, "un charmeur" Zola called him. An intimate friend of Edmond de Goncourt (who died in his house), of Flaubert, of Zola, Daudet belonged essentially to the naturalist school of fiction. His, own experiences, his surroundings, the men with whom he had been brought into contact, various persons who had played a part, more or less public, in Paris life, all passed into his art. But he vivified the material supplied by his memory. His world has the great gift of life. L'Immortel is a bitter attack on the Académie française, to which august body Daudet never belonged.

Daudet wrote some charming stories for children, among which may be mentioned La Belle Nivernaise, the story of an old boat and her crew.

His married life - he married in 1867 Julia Allard - seems to have been 'singularly happy.' There was perfect intellectual harmony, and Madame Daudet herself possessed much of his literary gift; she is known by her Impressions de nature et d'art (1879), L'Enfance d'une Parisienne (1883), and by some literary studies written under the pseudonym of Karl Steen. In his later years Daudet suffered from insomnia, failure of health and consequent use of chloral.

Alphonse Daudet died in Paris, France on December 16, 1897 and was interred in the Père Lachaise Cemetery, Paris.

Works include

  • Lettres de mon Moulin (1866; Free eBook of Lettres de mon Moulin at Project Gutenberg -- original language),
  • La Petit Chose (1868),
  • Tartarin de Tarascon (1872; Free eBook of Tartarin de Tarascon at Project Gutenberg -- original language, Free eBook of Tartarin de Tarascon at Project Gutenberg -- English version)
  • Contes du Lundi (1875)
  • Kings in Exile (1879)
  • Tartarin sur les Alpes (1885; Free eBook of Tartarin sur les Alpes at Project Gutenberg -- English version)
  • Port-Tarascon (1890)
  • Fromont et Risler (Free eBook of Fromont et Risler at Project Gutenberg -- English version)
  • The Nabob (Free eBook of The Nabob at Project Gutenberg -- English version)

This content from Wikipedia is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Alphonse Daudet